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1937 Cadillac V12 Fleetwood Formal Sedan

From a Rudimentary Appendage to a Major Styling Element, Fenders Helped Define the Era in Which a Car Was Built

At the turn of the last century it was almost impossible to have a “fender bender” because there weren’t any fenders, but that was just a temporary situation. By the early 1900s just about every American and European made motorcar had rudimentary fenders of some form over the tops of the wheels to keep mud from being slung into the faces of the driver and passengers. This worked some of the time but dusters, hats, and goggles were recommended accouterment for the open road.

Benz 1886 Patent Motorwagen

As early as 1894 Carl Benz was fitting rudimentary fenders to his latest versions of the 1886 Patent Motorwagen. This 1894 features a small bicycle-style fender on the front wheel and small curved fenders above the rear wheels. Sitting in the Motorwagen are Benz’s daughters, Thilde, Clara (at the tiller) and Ellen.

It is believed that the first automobile fender was invented in 1901 by Frederick Simms, who was instrumental in the founding of Daimler in Great Britain (1893), as well as the Automobile Club of Great Britain in 1897 (later the RAC). One could beg to differ, since Carl Benz had already mounted cycle fenders on his Patent Motorwagen by 1894, and the 1898 Benz Ideal had full length fenders. In the United States the earliest cars to have fenders, which were little more than mud guards, began to appear by 1903-04.

1898 Benz Ideal

A larger engine, more luxurious styling and vis-à-vis (face-to-face) seating were features of the 1898 Benz Ideal, which also featured full length fenders to help keep dirt and mud off the vehicle’s occupants. It would be safe to say that Brit Frederick Simms did not invent the automobile fender in 1901.

By the mid 1900s fenders were finally becoming more than appendages. Both their length and width were increased with many curving all the way down to the frame. Soon the front and rear fenders were joined together by a sturdy running board that paralleled the frame line. This became the preferred style for more formal cars in the early 1900s, while sportier models eschewed the running board. By the 1910s just about every car built in America and Europe had some form of fender and running board combination, and fenders themselves were beginning to take on a more stylish appearance, some rakishly curved, others flared at the rear to further prevent the splash of American roadways into the passenger compartment of open cars. But fenders were still rudimentary in their overall design. Body stylists regarded them as a necessary feature but one relegated to a single job, keeping the road beneath them, beneath them. Whether a handsome cycle fender design, a flat-topped wing, or long, sweeping fender-into-running board style, rarely did fenders add anything dramatic to the overall look of an automobile.

1911 Oldsmobile Limited

Side-mount spares were not a new idea when Harley Earl introduced his design for fender-mounted side-mounts in 1919. The side-mount dates back to the early 1900s and was used on a number of American marques including the massive Oldsmobile Limited in 1911. The only drawback to the early design was that it precluded the driver using one side of the car for entry or exit. Earl’s design moved the spares forward and into a recess in the fender allowing driver and passenger to make use of their doors.

American manufacturers had all achieved a near equal level of engineering refinement and reliability in their products by the early 1920s, but bodywork was mostly provided by outside coachbuilders, and that coachwork was generally accompanied by similar elements: running boards, fenders and mudguards, all separate components, and all very much the same in appearance. Then one day a designer said something to the effect of, “…if we extended the front fender rearward and added a recess at the bottom, you could mount the spare tire there.” It is likely those words were spoken by Harley Earl, since the design began appearing on La Salle and Cadillac production cars in 1927, less than a year after he was hired by General Motors to create Detroit’s first automotive styling department at the suggestion of Lawrence P. Fisher. Fisher was Cadillac’s General Manager, and something of an aficionado of Earl’s work for Don Lee.

The side-mount spare wasn’t a new idea. Companies like Locomobile had been offering them since the early 1900s, but back then side-mount spares precluded using one side of the car as an entrance for the driver. The same was true of Oldsmobile, Packard, and Pierce-Arrow, among others by the 1910s. Interestingly, in 1919 Earl had already penned the innovative fender-mounted side-mount spare, which was used for a coachbuilt Duesenberg Model A sedan bodied at the Earl Automobile Works in Los Angeles. The company, founded by Harley Earl’s father, was owned by Don Lee, Southern California’s premier Cadillac dealer. Earl had also designed and built several custom bodied Cadillacs for Don Lee in 1921, all of which featured fender-mounted side-mounts. Soon other American coachbuilders were following suit, including Judkins and Fleetwood, but the majority of coachbuilt cars bearing this distinctive fender line were coming from Don Lee Cadillac and the drafting table of Harley Earl.

1930 Cadillac V8 Phaeton

In 1927 Harley Earl brought style to GM with the La Salle. The influence of the La Salle, its sweeping fender lines and side-mount spares spread to the entire Cadillac line by 1930 when this Cadillac V8 Phaeton was produced. By the early ’30s side-mounts were being offered by all of GM’s divisions.

The new side-mount design, whether pioneered by Earl or someone else had changed everything by the late 1920s, including the fender itself. The greatest changes, however, were to come the following decade when fender lines became as much a styling element as hoods, rooflines, windshields, trunks, and even headlights.

1933 Cadillac V16 Convertible Sedan by Fleetwood

Not to be outdone by its contemporaries who were copying the 1927-1932 look of Cadillac, in 1933 Earl and his design staff raised the bar with handsome skirted fenders which for the first time made fenders more than just purposeful, it made them a styling element.

Cadillac V16 Aero-Dynamic Coupe

By 1934 Earl made another change in fender styling with the pontoon fender seen on this Cadillac V16 Aero-Dynamic Coupe. The body style by Fleetwood was first seen at the 1933-34 Chicago Century of Progress Exposition.

For Earl and Cadillac (and other GM Divisions) the first dramatic change in fender lines came with the 1933 models and the introduction of skirted fenders, a design which swept the American automotive industry from Packard to Pierce-Arrow. By 1934  Lincoln and other U.S. automakers were all featuring skirted fenders. Of course by ’34 Earl had already redesigned the skirted fender introducing the pontoon fender look, which made the fender an even more prominent styling element. Variations of this design would carry GM through the 1930s with the most significant changes coming in 1939 from the drafting table of Earl’s protégé Bill Mitchell. As the decade came to a close, the influence of Harley Earl’s 1938 “Y Job” concept car was spreading throughout GM and the American automotive industry. The “Y-Job” was not so much a look at the distant future of automotive styling but a glimpse about three years ahead. The hoodline, integrated fender lines and general contours would begin appearing on GM models beginning in the WWII abbreviated 1942 model year and being reprised in 1946.

Harley Earl and 1938 Y Job

In 1938 Harley Earl and his designers rewrote the book on fenders, hoods and a host of other automotive features with the experimental “Y-Job” concept. Many of the styling features of this car would appear on GM and other American makes by the time the U.S. was drawn into WWII. The long term influence of the “Y-Job” lasted into the early postwar Forties.

While Earl’s “Y-Job” was changing the shape of fenders in America by the end of the 1930s, in France, fenders were changing the entire shape of cars! From the armistice in November of 1918 to the onset of World War II in 1939, the styling and construction techniques employed by French coachbuilders were among the most advanced in the world. Their flamboyant, avant-garde, almost larger-than-life designs were the envy of every automaker. As famous as their clienteles, Jacques Saoutchik, Joseph Figoni, Henri Chapron, Letourneur et Marchand, Jean-Henri Labourdette, and the Franay Brothers, all at various times, and on a variety of both European and American chassis, fashioned some of the most magnificent body designs of the entire 20th century. By the early 1930s the society of ateliers on the outskirts of Paris were a hotbed of activity with France’s leading carrosserie catering almost exclusively to national marques such as Talbot-Lago, Delage, Delahaye, and Bugatti. The most influential stylists of the era, at least as far as fender lines are concerned, were Jacques Saoutchik and Joseph Figoni. Their work on Talbot-Lago, Delahaye and Delage chassis completely redefined the shape of automobiles built in France during the late 1930s. Figoni’s work on late ’30s Talbot-Lagos and Delahayes stands out as some of the most innovative if not outlandish of the entire 20th century. One would have to search high and low to find more intriguing designs than the Talbot-Lago T150 SS “Lago Special” models or the 1939 Delahaye Type 165 V12 Cabriolets.

Talbot-Lago T150 SS

In France, where automotive styling was as fashionable as the latest Paris couture, Joseph Figoni had made the fender into a styling element as bold and provocative as every other part of a car’s coachwork. The sweeping tear drop look of the later 1930s was perhaps the last and loudest statement in fender lines.

With the Talbot-Lago T150 SS Figoni perfected his aerodynamic design theory with a streamlined body composed almost entirely of curves, the car’s teardrop shape dictating even the contour of the doors, which were oval. The entire body of the T150 SS was a study in prewar aerodynamics. Figoni had first experimented with this design in 1932, although on a much larger scale, for a Rolls-Royce Phantom II Pillarless sedan. For 1939 Delahaye management decided that the company needed to do something spectacular, and that something was a V12 engine on a Type 165 chassis fitted with a one-off body by Figoni. Given the proportions of the massive Cabriolet, the 165 appeared larger than life, literally and figuratively. Only one example was completed, and a second non-running display car shown at the Paris Salon. (That car is now fitted with an engine and is fully road worthy). Bodied as a two-seater, which was the competition formula (most Delahayes were designed to seat four or five), the Figoni Cabriolet was one of the French designer’s more seductive aerodynamic motifs. As with nearly all Delahayes designed by Figoni, the bodywork characterized the image of captured motion – just a trace of windshield frame, which could be cranked down completely into the cowl if one desired, chromed sweeplines slashing through the hood and doors, and bold, elliptical fenders that gave the body a sense of fluidity, as though being stretched rearward by the force of its speed. The Figoni Delahaye left most everyone at the 1939 Paris Salon speechless. It is much the same today whenever the cars appear in public. When you consider just how much changed in automotive design between 1900 and 1939, and the significant a role that fenders played in bringing about those changes, you may never look at a fender in quite the same way.

Daimler Phoenix c.1899

Putting the engine in front, the Daimler Phoenix c.1899, had fenders over the rear wheels.

1902 Mercedes

By 1902 the mighty Mercedes was the most powerful motorcar in the world, and even sporty two-seaters came with ample fenders.

1912-1915 Stutz Bearcat

In America cars like the Stutz Bearcat and Mercer Raceabout c.1912-1915, made fenders stylish but they were still little more than appendages meant to keep as much of the mud and muck from American roads (most of which were still dirt) out of the passenger compartment.

1915 Packard Model 5-48

Fenders were still just a function of design rather than a design element even at Packard. This mighty 1915 Model 5-48 sports nice, flowing fenders but nothing that stands out. Packard parked a pair of spares at the rear.

Fender styling and side-mounts took on a familiar look in the early 1930s whether on a Cadillac, a Packard, or as pictured, a Chrysler CG Imperial, Duesenberg Weymann LaGrande Torpedo Phaeton, or Model J Derham Tourster.

1931 Chrysler CG Imperial 8 Roadster

1931 Chrysler CG Imperial 8 Roadster

Model J Duuesenbeg Weymann LaGrande Torpedo Phaeton

Model J Duuesenbeg Weymann LaGrande Torpedo Phaeton

Model J Duesenberg Derham Tourster

Model J Duesenberg Derham Tourster

1937 Mercedes-Benz 540K

Mercedes-Benz, where the whole thing had started, fender styling was evolving in many different ways at the company’s design center and coachworks in Sindelfingen. The ultimate statement in fenders (outside of the aerodynamic Autobahn Kurier models) was the sporty and elegant 540K epitomized by the limited production Special Roadster.

Read More Car Collector Magazine Articles

by Dennis Adler
© Car Collector magazine, LLC.
(Click for more Car Collector Magazine articles)
Originally appeared in the April 2009 issue

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